The contributors try to tease out what (pictorial) devices, perspectives, and interpretative markers were used that do not occur in the original text of theMetamorphoses, what aspects were brought to the fore or emphasized, and how these are to be explained. Examples of popular 19th century literature dispute Smiths conception of.Ingenium of artists and writers and on the peculiarities of the various media that were applied. Bourgeois Respectability and the Forgotten Female Types of French Panorama.
Italian Escapades of Mars, Venus and Vulcan Jan L. De Jong PART 1: Printed Cycles of Ovid’s Metamorphoses, Book Illustrations, and Commentaries 2Non-Ovidian “Immigrants” in Printed Illustration Cycles of the Metamorphoses Gerlinde Huber-Rebenich & Sabine Lütkemeyer 3“Fabula ad mores relata.” Commenting on Ovid’s Metamorphoses in Early Modern Times: the Example of the Phaethon Episode Robert Seidel 4Isaac De Benserade’s Inventiveness in Metamorphoses d’Ovide en rondeaux (1676) on the Basis of Love Threads Woven by Arachne Barbara Hryszko PART 2: Reinventions of Ovid’s Metamorphoses in Painting and Prints 5Olympic Adultery. Macey, Kerstin Maria Pahl, Susanne Scholz, Robert Seidel, and Patricia Zalamea.List of Illustrations Notes on the Editors Notes on the Contributors 1Introduction: Re-Inventing Ovid’s Metamorphoses Karl Enenkel and Jan L. De Jong, Andrea Lozano-Vásquez, Sabine Lütkemeyer, Morgan J. Enenkel, Daniel Fulco, Barbara Hryszko, Gerlinde Huber-Rebenich, Jan L.
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